See more of my Western Art and American Indian paintings on My Website
The Eyes of American Indians, Western art, American Indian art, Native American art, southwestern art. Plains Indian, painting, Western artist, southwest artist, southwest art, Cowboys and Cowgirls
Sunday, July 19, 2015
Whispering Ways
See more of my Western Art and American Indian paintings on My Website
Wednesday, November 7, 2012
Cowgirl Demonstration Final
This is how the painting is finished on the 5th day. I "oiled in" the painting, that is I brushed the painting with walnut oil/mineral spirits and then wiped most of it off leaving just a thin layer, then I did the final highlights, darks and blending. Oiling in is a fairly new technique for me but I'm liking the results.
I hope you enjoyed this demo. Would you like to see more?
SOLD at Lovetts Gallery, Tulsa
See Day 4 of Demo
Tuesday, November 6, 2012
Cowgirl Demonstration Day 4
Day 4 Demo,
Ok. The face is starting to look the way I want it to. The shirt is taking shape.
More layering and blending. Are you starting to get the idea? No big changes, just layering and blending. Darken the darks, lighten the lights, and get a smooth transition
See Day 5 demo
Thursday, October 25, 2012
Cowgirl Demonstration day 3
Day 3 Demo
Layer and Blend, Layer and blend
I'm still concentrating on the face but slowly expanding to the rest of the painting. I've worked on the hat, hair and shirt.
See Day 4 Demo
Saturday, October 20, 2012
Cowgirl Demonstration day 2
Day 2 demo
I'm just going to show the work I've done on the face because it's easier for you to see and because that's what I concentrate on most.After all, if the face isn't 'right' there's no point in going on with the the painting.
I paint in thin layers, building up the lights and darks. I'm also trying to get each shape correct at this point.
I'm also blending the edges as I go along so there are no harsh changes between the shadow and light. That was one of the challenges of this painting because she has a definite shadow from her hat falling on the light side of her face plus some reflected lights in the shadow area.
I let this dry and do another layer on Day 3
See Day 3 Demo
Wednesday, October 17, 2012
Cowgirl Demonstration Day one
Day one Demo
This is how the painting looks at the end of the first day. Not much to look at.
I start by doing my drawing on tracing paper the same size as the canvas. When I'm happy with the drawing I transfer the major details to the canvas with carbon paper or transfer paper. I spray the canvas with a fixative.
I then block in the masses of color and let the painting dry. Since I paint in thin layers, this usually dries overnight.
See Day 2 of Demo
See Preview
Wednesday, October 10, 2012
Silver Screen Cowgirl Demonstration
First, let me apologize for the photos. They aren't great. I photographed the painting at the end of each day. I paint under Daylight florescent bulbs which makes the image a bit yellow. Some of the images were taken with natural light. Anyway, I think you'll still get the idea.
This is my palette. The top left is Permalba white, the bottom right is Winton Raw Umber. I've mixed the two together to get seven more values. There's nothing exact about this, I just want a range of values.
Next: day one - blocking in the values
See Day One of Demo
Monday, October 4, 2010
Cowboy's Sweetheart - Work in Progress 3

Cowboy's Sweetheart, Work in progress
I have basics down so now I just have to refine everything
Saturday, October 2, 2010
Cowboy's Sweetheart - Work in Progress 2

Cowboy's Sweetheart , work in progress, day 2.
Today I continued working on the faces and hats of the left and center figure as well as applying the first layer of paint to the left figure's clothing.
When I do an underpainting like this, I start my mixing about 6 values of paint. These are not very precise mixtures. I do this just to make things go faster.
Friday, October 2, 2009
Top Hat - American Indian oil painting final stage
Thursday, October 1, 2009
Demo - Top Hat Oil painting
First I do a drawing on tracing paper that is the same size as the canvas. Then with carbon paper I transfer the image to my canvas
Step 1. In this step I refined my drawing and block in the background color and the red and the blue.
Step 2. After the first
layer has dried, I did an underpainting with raw umber to define the lights and darks. I also added some lights to the background
Step 3. Still using the raw umber and white, I put more detail in the face, and feathers. I started painting the hat, the emblem and the starred fabric.
Next: I'll add color to the face and continue adding details






